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Schaduwkant, (frontside), installation, 2019, textile, foam, wood, epoxy, reinforcement bars, ± 250 x 250 x 210 cm)
Schaduwkant, (backside), installation, 2019, textile, foam, wood, epoxy, reinforcement bars, ± 250 x 250 x 210 cm
Schaduwkant, 2019
De cultuur, de landschappen en de verhalen van de mensen die ik ontmoette in Spanje en in de Sahara in Noord Afrika waren een inspiratiebron voor deze installatie.
Schaduwkant, 2019
The culture, the landscapes and the stories of the people I met in Spain and the Sahara, North Africa, were a source of inspiration for this installation.
The culture, the landscapes and the stories of the people I met in Spain and the Sahara, North Africa, were a source of inspiration for this installation.
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Head, 2019,
Drawing on paper, chalk, graphite, watercolour, 23 x 27,5 cm
Mountain, 2019,
Drawing on paper, chalk, graphite, watercolour, 23 x 27,5 cm
Sunlight and Mountains, 2019,
Drawing on paper, chalk, graphite, watercolour, 23 x 27,5 cm
Sunlight and Mountains 2019, photograph on plexiglas, 20 x 30 cm, 2019
Sunlight and Mountains, 2019 Tekeningen en foto,s gemaakt tijdens een artists in residence in Spanje, in april 2019
Sunlight and Mountains, 2019 Drawings and Pictures made, during an artist in residence in Spain, inspired by the sunlight and the mountains, in April 2019
Het Hof , BigArt 3 exhibition, 2018
Het Hof , BigArt 3 exhibition, 2018
Het Hof, 2018, reinforcing bars, organza, polystyrene beads, foam, plaster, lead, epoxy, graphite cream.
150 x 300 x 300 (variable)
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Video 1.26
Henna,2018, textile, henna, plaster, 30 x 40 cm
Tijdens een reis door Mauritanië werden mijn handen en voeten getatoeëerd met henna. De vrouwen gebruikten leukoplastpleisters die met scheermesjes akelig dicht op mijn huid werden afgesneden. Ik maakte een video tijdens dit urenlange ritueel.
During a trip through Mauritania, I got henna tattoos on my hands and feet. The women used sticking plasters which they cut off scarily close to my skin. I made a video during this endless ritual.
Bedding, 2018, reinforcement bars, textile, clay, foam, 57 x 57 x 147 cm
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Landscape in 2 Parts, 2018, reinforcement bars, organza, indigo textile, polystyrene beads, wood, ± 180 x 75 x 210 cm
Work in progress
Work in progress
Installeren Gloss
Gloss and Bottom, 2017, Museum Kranenburgh in Bergen in the exhibition ‘Kunst = een veelkoppige draak’ van het KCB, red velvet, golden hairclips, clay, 335 x 600 cm
Oued at the KCB (Art Centre Bergen) exhibition ‘Nauw verweven’ at the Museum Kranenburgh residence in Bergen.
Oued, 2016, velvet, henna, foam, papier maché, wood, ± 2 m2
Landscape in 7 Parts, 2016,
Textile, wigs, fur, PU foam, graphite paste, lead, ± 300 x 80 x 300 cm
Landscape in 7 Parts, 2016
Een installatie bestaande uit delen en onderdelen die ontstond door associaties met het landschap en met mens en dier.
Een installatie bestaande uit delen en onderdelen die ontstond door associaties met het landschap en met mens en dier.
Landscape in seven Parts, 2016
An installation consisting of bits and pieces, which came into being through associations with the landscape, humans and animals.
An installation consisting of bits and pieces, which came into being through associations with the landscape, humans and animals.